V The last notes of the introduction to the opera were being played, and the seats in the pit were all filled, when Pesca and I reached the theatre. There was plenty of room, however, in the passage that ran round the pit—precisely the position best calculated to answer the purpose for which I was attending the performance. I went first to the barrier separating us from the stalls, and looked for the Count in that part of the theatre. He was not there. Returning along the passage, on the …
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